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The National Theatre's production of Beth Steel's *Till the Stars Come Down* will transfer to the West End this summer for a limited run. Performances begin at Theatre Royal Haymarket from 1 July, running until 27 September.

Steel's play, which had its world premiere in January last year, is a heartbreaking and hilarious portrayal of a working-class, larger-than-life family, as they come together on the day of Sylvia and Marek’s wedding day.

[In a five-star review for...

'Till the Stars Come Down' to transfer to the West End

Till the Stars Come Down - LT - 1200

Beth Steel's play had its world premiere at the National Theatre in January last year and tells the story of a working-class, larger-than-life family, as they come together on the day of a wedding.

Mischief Theatre will present a new production of *Christmas Carol Goes Wrong* in the West End year, as part of a UK tour. The show heads to the Apollo Theatre from 6 December for a seven-week season.

Written Mischief original members Henry Lewis, Jonathan Sayer, and Henry Shields, the new comedy  brings back the chaos of The Cornley Amateur Drama Society as they take on the Charles Dickens classic, *A Christmas Carol*.

A televised version of the same concept was presented by the company in...

'Christmas Carol Goes Wrong' to run in the West End during festive period

mischief team 1200 LT

A televised version of *Christmas Carol Goes Wrong* was presented by Mischief Theatre in 2017, and featured David Suchet. It now comes to the West End in a live version.

Andrew Lloyd Webber’s [*Starlight Express*](https://www.londontheatre.co.uk/show/24471-starlight-express-tickets) has extended for a fifth time at the Troubadour Wembley Park Theatre in London. Performances will now continue until 1 March 2026.

The musical, which has been nominated for three Olivier Awards, follows a train set that comes to life and features a cast of 40 on rollerblades performing some of musical theatre’s most beloved songs, including "AC/DC," "Make Up My Heart," "Light at the...

'Starlight Express' extends performances through March 2026

Starlight Express Year 2 cast 1200 LT

The musical about a train set that comes to life features a cast of 40 on rollerblades performing some of musical theatre’s most beloved songs.

International Women's Day, celebrated on 8 March, is a celebration of women – from marking their achievements to raising awareness of campaigns for women's rights and fundraising for female-focused charities. It's all about making a collective effort to foster gender equity through positive, impactful change.

International Women's Day was born out of the universal female suffrage movement and the labour movement of the early 20th century. In 1909, the Socialist Party of America organised a...

Female-led West End shows to see for International Women's Day

the years 1200 LT credit helen murray

Celebrate the joy of International Women's Day with West End shows that continue to challenge stereotypes and champion the power of individuality in society. 

As we celebrate International Women’s Day on 8 March, we take a look at some of the notable women creating brilliant work in theatre today, both on stage and in creative roles. 

The [2025 Olivier nominations](https://www.londontheatre.co.uk/theatre-news/news/2025-olivier-awards-nominations-announced-with-fiddler-on-the-roof-leading) include Lindsey Ferrentino for Best New Play for *The Fear of 13*, and Eline Arbo nominated for both Best New Play (in an English version by Stephanie Bain) and...

Women to watch in the West End in 2025

indhu 1200x600 LT

We take a look at some of the most exciting female talent in theatre today, including Indhu Rubasingham, shortly taking the top job at the National Theatre.

Jane Krakowski - NY

Center of the YOUniverse - NYC

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Venues in New York City

Center of the YOUniverse

Center of the YOUniverse - NYC Product Media

Minetta Lane Theatre, located in New York's historical Greenwich Village area, is a renowned performing arts venue. Hailed for its elegant brick exterior and cozy, inviting interior, the off-Broadway theatre's rich history dates back to its initial opening doors in 1984. Over time, the theatre has been a launchpad for a variety of successful shows, including 'Jefferson's Garden' and the wildly popular romantic comedy, 'Through the Night'. With a seating capacity of 391, it offers an intimate ambience, enabling attendees to indulge in the performance at close quarters. The theatre has outstanding acoustics and comfortable seating to ensure a pleasurable viewing experience. Sheltered amidst a neighborhood known for its creative and artistic vigor, the theatre aligns perfectly with the cultural ethos of its surroundings. The surrounding area is dotted with cafes, restaurants, and other cultural landmarks, providing ample opportunities for a comprehensive cultural experience before or after a show. 

**How to Get to the Venue:** Minetta Lane Theatre is located at 18 Minetta Lane in Greenwich Village, accessible via public transportation. The nearest subway station is West 4th St. – Washington Sq. (A, B, C, D, E, F, M), which is just a five-minute walk away. Alternatively, buses M5, M20, and M55 pass near the theatre.

Minetta Lane Theatre - NY

Minetta Lane Theatre

Minetta Lane Theatre is a well-known off-Broadway venue in New York's Greenwich Village, known for its variety of shows and intimate atmosphere. Convenient public transportation is available.

See Tony Award® winner, Jane Krakowski, live streamed from Central Park as Roundabout celebrates NYC and the return of the arts on June 7.   

Jane Krakowski: Live From Central Park - NYC

Jane Krakowski: Live From Central Park

Jane Krakowski: Live From Central Park - NYC Product Media

SHIT. MEET. FAN. - NYC [41016]

SHIT. MEET. FAN.

Shit. Meet. Fan.  - NYC [41016]

The Robert W. Wilson MCC Theater Space is an iconic fine arts venue located at 511 W 52nd St, New York. Famed for its commitment to thought-provoking, innovative, and deeply collaborative new work, it is the perfect venue for theater-goers who are consistently keen on exposure to an array of genres and styles. The space features two stages: the 100-seat Newman Mills Theater and the 243-seat Susan & Ronald Frankel Theater, providing opportunities for intimate performances as well as larger-scale productions.

**How to Get to The Venue**

To reach the Robert W. Wilson MCC Theater Space, it's just a short walk west from the 50th Street Subway Station, which is served by the C and E lines. Alternatively, it's a few minutes north from the 49th Street Station, served by the N, R, and W lines. Those preferring to drive will find a handful of paid parking garages in the area, such as the MPG Parking and Imperial Parking Systems. Do check parking rates ahead of your visit.

The Newman Mills Theatre at the Robert W. Wilson MCC Theatre Space - NYC

The Newman Mills Theatre at the Robert W. Wilson MCC Theatre Space

The Robert W. Wilson MCC Theater Space is a premier New York venue famed for innovative performances, accessible by subway or car.

Jane Krakowski, Shit Meet Fan

Rosie Sheehy - LON

The Brightening Air - LON [42906]

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The Brightening Air

LON | The Brightening Air | 42906

Brother and sister Stephen and Billie, home is all they have. Mucking along in their decaying farmhouse, they’re doing just fine.  
That is, until the arrival of an ex-clergyman uncle with an unscrupulous plan, a sister-in-law seeking a miracle, and a prodigal brother hell-bent on trouble. 

The Old Vic is amongst London's most revered theatre venues, situated in the heart of the bustling city. Founded in 1818, this prestigious establishment continues to attract audiences with its dynamic array of world-renowned plays, ballets, operas and pantomimes. With a seating capacity of over 1,000, the richly decorated auditorium offers an immersive and intimate experience for all spectators. The Old Vic's enchanting neoclassical exterior and swirling marble foyers take you back in time, while its state-of-the-art sound and lighting system provide a modern and truly spectacular performance environment. Its stellar shows often star internationally acclaimed actors and directors. Over its 200-year legacy, the venue has been the home for breakthrough performances and debuts of some of the greatest plays in theatre history. 

**How to get to the Old Vic Theatre:** The Old Vic is conveniently located near multiple transport links. The nearest underground station is Waterloo, served by the Northern, Bakerloo, Jubilee, and Waterloo & City lines. The theatre is only a short 4-minute walk away. Bus routes 1, 68, 168, 171, 172, 176, 188 serve the area around the theatre. If you are driving, the nearest car park is the Waterloo Car Park located on York Road.

The Old Vic - LON

Old Vic

The Old Vic is a historic theatre in London known for world-class performances. It's conveniently accessible via Waterloo station and local bus routes.

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Georgina Onuorah - LON

Ages 8+. Children under the age of 4 will not be admitted.

Shucked - LON [35373]

Shucked

LON | Shucked | 35373

Maizy and Beau are getting hitched, when the corn that protects their small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

**Regent's Park Open Air Theatre** is a London-based theatre venue that sits within a beautiful Royal Park. Offering a unique and innovative style of performing arts, the outdoor venue, encapsulated by the lush park surroundings, creates a magical and immersive theatrical experience. The theatre holds a capacity of 1,240 individuals, showcasing a variety of performances from classic Shakespearean plays to modern contemporary pieces, and even musicals. It was established in 1932, and the uniqueness of the venue has since then captivated the hearts of both Londoners and guests from all around the world. The theatre's characteristic feature - total exposure to the elements - often compels creative interpreters to rethink and reshape their performances, resulting in unforgettable renderings of familiar plays. Spectators can also enjoy food and drinks at the theatre's bar and grill.

**How to get to the venue:** The theatre is based close to Baker Street and Great Portland Street underground stations thereby making it easily accessible by underground trains. Alternatively, several bus routes also operate in the vicinity of the park. If you prefer a scenic ride, cycle docking stations are located at nearby Albany Street and Marylebone Road for those who prefer to cycle or walk. Keep in mind that there is only limited parking available around Regent's Park, so public transport is advised. 

Regent's Park Open Air Theatre - LON

Regent's Park Open Air Theatre

Regent's Park Open Air Theatre is a unique outdoor venue in London, featuring an array of exceptional performances.

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Bessie Carter - LON

Mrs. Warren's Profession - LON [43661]

Mrs. Warren's Profession

LON | Mrs. Warren's Profession | 43661 

Vivie Warren is a woman ahead of her time. Estranged from her wealthy mother, she delights in a glass of whisky, a good detective story, and is determined to carve herself a sparkling legal career in an age ruled by men.

The Garrick Theatre is a renowned and historical theatre venue located in the heart of London, Charing Cross Road, near Leicester Square. Opened in 1889, it was named after the stage actor David Garrick. Designed by Walter Emden and C.J. Phipps, it is built with an exquisite blend of classical and baroque architectural styles, giving it a unique touch of elegance. The theatre boasts a theatrical heritage unrivalled in its history of performances, artists, and premieres, hosting a variety of world-class productions ranging from dramatic plays, farces, comedic performances, to Shakespearean plays. With a seating capacity of 656 spread across three levels - stalls, dress circle, and grand circle - the theatre offers an intimate atmosphere, drawing audience closer to the performances and making it a favourite venue for both theatre-goers and performers. Along with the splendid auditorium, the theatre contains bars at each level providing a comfortable space for refreshment. The theatre is equipped with state-of-the-art systems offering excellent audio and visual experiences. A visit to the Garrick Theatre is a step back into time, offering classic London theatre experience in a beautiful and iconic venue. 

## How to Get There
The Garrick Theatre is easily accessible by various modes of transport. If you are using the London Underground, the closest Tube stations are Leicester Square (Northern, Piccadilly) and Charing Cross (Bakerloo, Northern). By bus, several bus routes pass close to the theatre, including the numbers 24, 29 and 176. If driving, the nearest car park is Q-Park Chinatown.

Garrick Theatre - LON

Garrick Theatre

The Garrick Theatre is an iconic London venue, known for its architectural elegance, rich history, and hosting top-tier productions.

Bessie Carter 200x200

Imelda Staunton - LON

Follies [14942]

Follies

Follies [14942] Product Media

Stephen Sondheim and James Goldman's 1971 Broadway musical yields new emotions, textures and terrors with each repeated viewing or production. Nostalgia, as the old saying goes, isn't what it used to be. But <a href="/show/follies">Follies</a> is a show about the perils of living in the past that comes alive in the present, and reminds us - like Samuel Beckett's great work of existential terror Waiting for Godot or Chekhov's Uncle Vanya - that we have to simply face the cold light of reality and carry on. Yes, the show is really that great; like those plays, it is a defining masterpiece in modern theatre.Each production adds its own layer of nostalgia to the ones that have come before; and in this case, of a cast that came before when this one was first premiered at <a href="/theatres/national-theatre">National</a> in 2017. That has already created its own ghosts and shadows, as we now remember actors who've now left the show -&nbsp;most notably, Imelda Staunton and Philip Quast, who previously played Sally and Ben, a couple who once courted each other but married Buddy and Phyllis respectively instead -&nbsp;and enjoy their successors.Joanna Riding -&nbsp;herself a veteran of this <a href="/theatres/olivier-theatre-national">Olivier</a> stage, where she previously starred in Carousel, Sondheim's A Little Night Music and Guys and Dolls in the 1990s (the latter alongside Staunton) -&nbsp;has less nervous energy but a more wide-eyed sense of the grasping need at trying, and failing, one last time to get what she always thought she wanted, namely Ben. She doesn't seem quite as unhinged - but she's also terrifying and terrific.Alexander Hanson is more emotionally muted than Quast; that's partly because he has less natural charisma. He's punching above his weight to secure the attentions of either Phyllis (who he actually married) or Sally, but it&nbsp;shifts the focus onto them: what need is he answering in them?Janie Dee, remaining as Phyllis, now reveals more thrilling shades of her brittle, bitter persona underneath the extraordinary glamour she exudes; there's real anger - and defiance - in her rendition of the showstopping "Could I Leave You?" in which she calculates and itemises her own dissatisfaction with her marriage.And Peter Forbes, returning as Buddy, is also utterly wonderful as he loyally sticks with a wife who loves someone else, and made his own accommodations with his sense of misery.A Chekhovian pallor of lives not lived hangs over all four principals - and it is heartbreakingly contrasted with versions of their younger selves, thirty years earlier, who watch and observe what they've become (a stunning quartet of young performers Ian McIntosh, Christine Tucker, Harry Hepple and Gemma Sutton). That constant pull between the past and present defines both James Goldman's wonderful impressionistic book and Dominic Cooke's haunting production, with its sets by Vicki Mortimer, lighting by Paule Constable and above all pitch-perfect period choreography by Bill Deamer.There's so much to relish in this production that I could name every single actor, but I'll stop at one more newcomer to the 2018 cast, Claire Moore who is absolutely miraculous as Hattie Walker. She sings "Broadway Baby", one of the show's most famous songs, as if her life depended on it. It's the distillation of a performer's one-time yearning for the bright lights of Broadway, sung from the reality of what her life has come; and it sums up perfectly the show's overwhelming and powerful contrast between past and present.<a href="/show/follies">Follie</a><a href="/show/follies">s</a> is, and remains, simply phenomenal.<a href="/show/follies">Follies</a>&nbsp;is at the <a href="/theatres/national-theatre">National Theatre</a> until 11th May.Photo credit: Johan Persson

Review - Follies returns to the National Theatre starring Joanna Riding and Janie Dee

The Olivier Theatre, sitting delightfully at the heart of London, is one of the largest public stages in the United Kingdom. Named after the celebrated British actor, Laurence Olivier, this grand venue is housed within the iconic National Theatre complex on the South Bank of the Thames. The theatre promises a unique experience with its open stage and fan-shaped auditorium, inspired by the ancient Greek theatre at Epidaurus. With an impressive seating capacity of about 1,150 spectators, it regularly hosts a diverse range of productions, from timeless classics to innovative contemporary performances.
**How to Get There**
The Olivier Theatre is highly accessible. It is located at South Bank, London SE1 9PX. If you're using public transit, getting off at the Waterloo Station is the best option. It's just a 5-minute walk from there to the theatre. Alternatively, Blackfriars and Westminster stations are located within walking distance too. For those considering driving, parking facilities can be found at the nearby Upper Ground Car Park. The theatre also provides excellent facilities for bicyclists, with several bicycle parking bays available around the building. Respecting the environment while attending the theatre is encouraged.

National Theatre - Olivier - LON

Olivier Theatre

Olivier Theatre is a renowned venue in London's National Theatre. Easily reachable via public transport, it offers a distinctive theatrical experience.

Who's Afraid of Virginia Woolf? [3392]

Who's Afraid of Virginia Woolf?

Who's Afraid of Virginia Woolf? [3392] Product Media

The Harold Pinter Theatre, established and adorned with Victorian architecture in 1881, is one of the most notable theatre venues in the heart of London. Originally known as the Royal Comedy Theatre, it later adopted the name of 'Harold Pinter', honouring the famous playwright. The theatre is situated conveniently in the centre of the bustling West End, an ideal location for tourists and locals alike. The interior is decorated with an impressive array of original features aligned with its historical era of inception, creating an aesthetically pleasing atmosphere for theatre-goers. The theatre has an audience capacity of 796 people across four levels, with the seats divided into Stalls, Dress Circle, Royal Circle and Balcony. Over time, it has been home to many outstanding performances, including shows like 'The Homecoming', 'Moonlight', and 'Betrayal'. The Harold Pinter Theatre undoubtedly offers a memorable and culturally enriching experience for all those who visit.

### How to Get to the Venue 

Harold Pinter Theatre is accessible and well-connected, located at Panton Street in the City of Westminster. The closest Underground stations are Piccadilly Circus and Leicester Square, both within a short 5-minute walk. Numerous buses service the area regularly, making it straightforward to reach using public transport. For those driving, the MasterPark at Whitcomb Street and NCP at Denman Street are the nearest parking options.

Harold Pinter Theatre - LON

Harold Pinter Theatre

The Harold Pinter Theatre is a historic venue in London's West End, known for hosting many notable performances. Convenient and easily accessible by public transit.

Ages 4+. No under 4s admitted. Booster seats are not permitted on the Royal Circle and Grand Circle levels for health and safety reasons.

Hello, Dolly! - LON [37374]

Hello, Dolly!

Hello, Dolly! - LON Product Media

Imelda Staunton will be back where she belongs in Hello, Dolly! next summer, as one of the most iconic musicals of all time comes to The London Palladium.

The London Palladium is one of the most famous and prestigious theatres in the heart of London. Steeped in history, the venue first opened its doors in 1910 and has since welcomed millions of visitors. Boasting a grand architecture with a capacity of over 2,200 people, it has played host to a range of world-class performances, ranging from theatrical productions to musical concerts, ballets, and even popular TV shows, such as the 'Sunday Night at the London Palladium'. The interior of the theatre is known for its ornate design, featuring a beautiful proscenium arch and stunning ceiling décor. The venue also offers a glamourous and sophisticated atmosphere, perfect for a night out in the city. Notable past performers at the London Palladium include Sir Bruce Forsyth, Bing Crosby, and Sir Elton John.

 **How to Get to the London Palladium:**

The London Palladium is conveniently located in the West End of London. The closest tube station is Oxford Circus, which is only a short walk away from the venue. Oxford Circus station is served by the Bakerloo, Central, and Victoria lines. Alternatively, the theatre can also be reached by several bus routes that stop near Argyll Street. If you are traveling by car, the nearest car park is the Q-Park in Cavendish Square.

London Palladium - LON

London Palladium

The London Palladium is a historic and prestigious theatre in London's West End, known for hosting world-class performances. It's easily accessible via public transportation.

Born in London in 1956, Imelda Staunton trained at the Royal Academy of Dramatic Art, where she trained alongside Juliet Stevenson, Alan Rickman and Timothy Spall and graduated in 1976.

Imelda Staunton - Stars on Stage | London Theatre

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Tamsin Greig - LON

Pinter Three | Landscape / A Kind of Alaska [11706]

Pinter Three | Landscape / A Kind of Alaska

Pinter Three | Landscape / A Kind of Alaska [11706] Product Media

Peggy For You - LON [23950]

Peggy For You

Christmas came a little bit earlier in the form of the Santa-sent - no, make that heaven-sent - <a href="/actor-profile/tamsin-greig" target="_blank">Tamsin Greig</a>, who gives nothing less than one of the best performances of 2021 as the onetime uber-agent Peggy Ramsay, in Alan Plater's 2000 play. Completing a season of revivals of plays first seen at the <a href="/theatres/hampstead-theatre">Hampstead Theatre</a>, Richard Wilson's production of <a href="https://www.londontheatre.co.uk/show/23950-peggy-for-you" target="_blank">Peggy For You</a>&nbsp;improves on the original, which I saw back in the day with Maureen Lipman in the title role. Not only does Greig instantly give off the air of someone who would know her way around a script, but she finds in Plater's series of encounters - neatly parcelled out across the two acts - something genuinely touching that mostly eluded Lipman, who played Peggy like a variant on her notable turn as Joyce Grenfell. This time round, the character seems at once richer and bolder, to the benefit of the play.&nbsp;Greig creates a true original, in keeping, one imagines, with the enduring spirit of the Australia-born, South Africa-raised Ramsay, who emigrated to England only to end up representing a cross-section of the most notable playwriting talents of her time. (Devotees of the fine 1987 movie Prick Up Your Ears, about the writer Joe Orton, may remember Vanessa Redgrave's notably suggestive Peggy, who is seen famously stroking her thigh in conversation.) Greig approximates something of the same provocations, while capturing the mercurial nature of a talent-spotter who could be ruthless one minute and&nbsp;maternally nurturing the next. This actress's splendid comic timing is, as ever, a given. So, too, is her ability to communicate reserves within a character who has herself known a thing or two about loss, however wary&nbsp;she is of revealing those aspects of her personality when a witty reply comes more readily.&nbsp;We see Peggy in conversation with an authorial newbie — the embryonic talent Simon (Josh Finan, suitably deferential), whose foray on to the London fringe perhaps improbably draws Peggy away from yet another major revival of Uncle Vanya. Careful to give us three scribes at differing points on the career spectrum, Plater brings Peggy face-to-face with the commercially successful, sexually ambiguous Philip (Jos Vantyler), leaving as the juiciest of the male roles that of the seasoned, determinedly principled Henry (Trevor Fox, bringing to this role the same prickly command he leant to The Pitmen Painters in London and on Broadway). His farewell to Peggy drives the second act and allows us to glimpse beneath the badinage to see the eponymous heroine, and the glory of sorts that has accrued to her, as worthy of a "classic three-act structure" all its own: Plater's comparatively prosaic play here dipping into the realm of the meta.Those near to the stage will have a field day scanning the posters of James Cotterill's terrifically evocative set, amongst which I was especially drawn to the Royal Court production of Rhinoceros by Peggy's client, Ionesco. Plater references himself in a running gag involving Peggy's ignorance about the geography of Yorkshire as it relates to the two Alans she represents who are based there - Ayckbourn and, yes, this show's playwright. It's hard, too, not to have dipped even briefly into criticism without chuckling at the clever enfolding within the narrative of the definition of a play, a question Greig seems to savour as if she were perhaps trying out chewing over a recipe on a gourmet food show. And the rejection of Falstaff, well-known from Shakespeare's Henry plays, is cunningly applied to Peggy's own life in a deft authorial manoeuvre that works on its own terms, however far the play itself may deviate from cold, hard facts. (In the text, Plater refers to his own script as "bunk but also truthful".)&nbsp;Sailing through it all like the literary galleon that was Peggy is Greig, who may cut a more immediately sympathetic presence than the rather formidable woman pictured on the cover of the published script. But you're left in no doubt at the loss represented by the absence from our midst of a truly independent-minded spirit who on this evidence might have made a good, if blunt, critic had her career taken a different path. The title refers to the phrase deployed when her secretary (a lively Danusia Samal) answers the phone, parrying any and all callers seeking their share of Peggy's stardust. For now, let's just be grateful for the theatrical glitter cast by Greig, one hugely accomplished woman of the theatre here honouring another and the audience the winner now just as Peggy's list of writers was then.<a href="https://www.londontheatre.co.uk/show/23950-peggy-for-you" target="_blank">Peggy For You is at the Hampstead Theatre to 29 January.</a>Photo credit: Trevor Fox and Tamsin Greig in Peggy For You (Photo by Helen Maybanks)

'Peggy For You' review — Tamsin Greig's standout performance celebrates Peggy Ramsay

Agents are not supposed to be more famous than their clients – unless, of course, you are the formidable, outrageous and hilarious Peggy Ramsay…

Tamsin Greig stars as the legend that held complete sway over the theatre world in a career that spanned thirty years. Alan Plater’s very funny play is peopled with characters who fall under the spell of this unlikely heroine, who believed infinitely more in art than she did in money – or in good manners.


Hampstead Theatre, situated in the heart of London, is a prized venue renowned for its contemporary, innovative and varied performances. Since its inception in 1959, it has become a prominent hub for dramatic innovation, propelling the careers of some widely recognised talents. Offering a perfect blend of enticing drama and contemporary arts, the theatre proposes a diverse collection of shows from fresh, boundary-pushing playwrights to world premiers. Hampstead Theatre's peculiarity lies in its daring architecture with a versatile auditorium designed to provide an intimate experience. With seating accommodation of 325 to 375, spectators' engagement with the performance becomes a profound experience due to the close proximity to the stage.

**How to get to Hampstead Theatre**
 Hampstead Theatre is easily accessible by all modes of transport. By underground, Swiss Cottage on the Jubilee line is the closest station, only a minute walk away. By bus, routes C11, 13, 31, 46, 82, 113, 187, 268 pass near the theatre. It is also reachable by overground, with South Hampstead as the nearest station situated just a 5-minute stroll away. Parking is available in the Avenue Road car park, just 3 minutes walk away and on-street around Swiss Cottage.

Hampstead Theatre - LON

Hampstead Theatre

Hampstead Theatre is a renowned London venue known for dramatic innovation. It has an intimate setting and is easily accessible.

The Deep Blue Sea - LON [42508]

The Deep Blue Sea

LON | The Deep Blue Sea | 42508

In this powerful drama of passion versus loyalty, Hester Collyer, the daughter of a clergyman and wife of a judge is floundering in the closing stages of a hopeless affair. Freddie Page, her lover, a handsome but shallow ex-Battle of Britain pilot, is out of his depth in their relationship, overwhelmed by the strength of an emotion he is incapable of reciprocating…

The Theatre Royal Haymarket, also known as Haymarket Theatre or the Little Theatre, is a premium venue for world-class performances in London's vibrant West End. It boasts a history rooted in culture and art that spans far back into the 18th century. Known for its ornate, classical style and intimate acoustic quality, the theater is an exceptional haven for both classic and contemporary productions. This iconic establishment has played host to countless notable actors over centuries, from Victorian stage actor John Baldwin Buckstone to modern stars like Ian McKellen and Dame Judi Dench.

**How to get to the venue**
Centrally located, the Theatre Royal Haymarket is accessible via various modes of public transport. It is served by major bus routes and the nearest underground station is Piccadilly Circus, just a short walk away. Within proximity is Charing Cross station for both underground lines and overground rail services. For guests preferring to drive, there are numerous public car parks available within a short distance. It is important to note that the theatre is situated within London's congestion charge zone, operating between 7am and 6pm from Monday to Friday.

Theatre Royal Haymarket - LON

Theatre Royal Haymarket

The Theatre Royal Haymarket is a prestigious venue in London's West End, known for its history, classical style, and world-class performances.

Tamsin Greig was born in 1966 in Kent and then moved to Kilburn at a young age. She later studied at the University of Birmingham, graduating with a first in Drama and Theatre Arts.

Tamsin Greig - Stars on Stage | London Theatre

Tamsin Greig- 124x124px

__UPDATE: Aya Cash (*The Boys, The Franchise, You’re the Worst*) will make her West End debut as US Publisher Jessie Stone, with Tessa Bonham Jones (*Dune: Prophecy, The Young Woman and the Sea*), Olivier Award nominee Rachael Stirling (*The Divine Mrs S*), and Richard Hope (*Hijack*) returning from the Royal Court run as Hallie, Felicity Crosland, and Wally Saunders, respectively. __

Mark Rosenblatt’s new play *Giant*, starring Tony winner John Lithgow, will transfer to the West End's Harold...

Full casting revealed for West End transfer of John Lithgow-led 'Giant' 

Giant - LT - 1200

The play follows the acclaimed children's author Roald Dahl over the course of a single afternoon, in the wake of scandal caused by an explicitly antisemitic article. 

The new stage adaptation of *The Greatest Showman* will premiere in Bristol in spring 2026, with a casting search underway for the show's company.

Opening at Bristol Hippodrome, *The Greatest Showman* on stage will feature the music of Benj Pasek and Justin Paul, including “The Greatest Show,” “A Million Dreams,” “Come Alive,” “Rewrite the Stars”, and "This is Me". New songs have also been written for the musical.

The creative team includes book by Tim Federle (*Ferdinand, High School Musical:...

'The Greatest Showman' announces world premiere in the UK

The Greatest Showman 1200 LT credit 20th Century Studios

The musical, based on the 2017 film, will open at Bristol Hippodrome next year. Casey Nicholaw, whose production of Disney's *Hercules* opens at Theatre Royal Drury Lane this summer, directs.

Once again, the Olivier Awards will celebrate what has been an extraordinary year of London Theatre, from singing trains and Russian rockers to rival Greek tragedies and a theatricalised climate conference.

Recognition is spread across various deserving productions with underdogs such as *Titanique, Shifters*, and *The Curious Case of Benjamin Button* nominated alongside celebrated heavyweights *Hello, Dolly!, Oedipus,* and *Oliver!.*

The clear frontrunner, however, is the revival of *Fiddler...

The Olivier Awards 2025: who should and who will win?

olivier awards predictions 1200 LT

Theatre critic and influencer Mickey-Jo Boucher takes a look at this year's Olivier Awards nominations, looking at who will win and should win, as well as who missed out.

The four-time Olivier-nominated new musical [*The Curious Case of Benjamin Button*](https://www.londontheatre.co.uk/show/29855-the-curious-case-of-benjamin-button) has extended performances at the Ambassadors Theatre in the West End. The show is now booking until 30 August 2025.

Jethro Compton and Darren Clark's musical, based on the short story by F. Scott Fitzgerald, has been nominated for Best New Musical, Outstanding Musical Contribution, Best Actor in a Musical for John Dagleish, and Best...

'The Curious Case of Benjamin Button' tickets now available through August 2025

Curious Case of Benjamin Button - LT - 1200

The musical has been nominated for Best New Musical, Outstanding Musical Contribution, Best Actor in a Musical, and Best Actress in a Musical at this year's Olivier Awards.

John Dagleish — LON

John Dagleish was a part of the original cast of *Sunny Afternoon* at Hampstead Theatre, which transferred to the West End in 2014.

John Dagleish - Stars on Stage | London Theatre

The full list of Olivier Award nominations for 2025 was announced today, 4 March. The nominations were revealed by Olivier Award winners Nicole Scherzinger and Tom Francis, who won Best Actor and Actress in a Musical for *Sunset Boulevard* last year. The pair were dressed in their *Sunset Boulevard* costumes, complete with fake blood, for the occasion. 

*Fiddler on the Roof* leads the pack, with 13 nominations including Best Musical Revival and representation across the four acting categories...

2025 Olivier Awards nominations announced, with 'Fiddler on the Roof' leading

Photo credit: Olivier Awards (Photo courtesy of Society of London Theatre)

Find out the full details of the 2025 Olivier Award nominations. The ceremony will take place at the Royal Albert Hall on 6 April, with Beverley Knight and Billy Porter hosting.

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