It’s the most wonderful time of the year to book your Boxing Day theatre tickets. Enjoy a final trip to the West End this Christmas at seasonal shows, or plan your 2025 theatre with affordable tickets to shows across London. Save money on London’s most popular shows in our Boxing Day Sale, where you can snap up tickets to many shows for just £15. 

Book [Boxing Day tickets](https://www.londontheatre.co.uk/whats-on/boxing-day) on LondonTheatre.co.uk

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All the shows in our Boxing Day Sale 2024

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Save up to 40% on the West End’s most popular shows in our Boxing Day Sale, from *Mean Girls* to *Guys and Dolls*. You can get tickets to many shows for just £15. 

The best way to start off your new year is with plenty of new shows! Happily, London is as busy as ever when it comes to great plays, musicals, comedy, cabaret and more, so you can find loads of enticing options in the West End and beyond in January 2025. 

Noel Streatfeild’s children's classic [*Ballet Shoes*](https://www.londontheatre.co.uk/show/43183-ballet-shoes) is continuing the festive cheer long into 2025 at the National Theatre, while [*The...

Top theatre to see in London in January

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Find out the best shows to see in London in January 2025, including exciting new plays, big West End musicals, and Hollywood A-listers coming to town.

The original cast members of the National Theatre and Broadway production of [*Hadestown*](https://www.londontheatre.co.uk/show/24465-hadestown-tickets) will reprise their roles for a limited run in the West End next year. They will take over at the Lyric Theatre from 11 February to 9 March 2025. 

Reeve Carney (*Spider-Man: Turn Off the Dark*) will return as Orpheus, André De Shields (*The Full Monty, Warp!, The Wiz, Ain’t Misbehaving*) as Hermes, Amber Gray (*Eureka Day, Here We Are, Natasha,...

Original 'Hadestown' lead cast to star in West End production

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Reeve Carney will return as Orpheus, André De Shields as Hermes, Amber Gray as Persephone, Eva Noblezada as Eurydice, and Patrick Page as Hades.

Initial casting has been set for the return of the Olivier Award-winning play [*Dear England*](https://www.londontheatre.co.uk/show/43212-dear-england), written by James Graham. The show will return to the National Theatre in London for a 10-week run in March 2025.

Gwilym Lee, who has starred in a number of Shakespeare's plays, as well as the Queen biopic *Bohemian Rhapsody* (2018), will play the lead role of football manager Gareth Southgate, as he attempts to coach the England men's team to...

'Dear England' sets lead casting for National Theatre return

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Gwilym Lee will play the lead role of football manager Gareth Southgate, taking over from Joseph Fiennes who received an Olivier nod for his performance.

[*Come Alive! The Greatest Showman Circus Spectacular*](https://www.londontheatre.co.uk/show/37379-come-alive) has extended performances at the Empress Museum in London until September 2025.

Inspired by the world of *The Greatest Showman*, *Come Alive!* features Benj Pasek and Justin Paul’s songs from the 2017 film, with an original storyline, all within a 700-seat Big Top venue. There's also an immersive pre-show experience, with on-site food options, multiple bars, and circus...

'Come Alive! The Greatest Showman Circus Spectacular' tickets now available through September 2025

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*Come Alive!* features Benj Pasek and Justin Paul’s songs from the 2017 film — such as "This is Me" and "Rewrite the Stars" — with an original storyline.

The London transfer of Olivier Award winner James Graham's play [*Punch*](https://www.londontheatre.co.uk/show/41716-punch), about the true story of a one-punch crime, has been extended by two weeks at the Young Vic. Performances will now run until 26 April.

Graham (*Best of Enemies, Dear England, This House, Sherwood*) brought Jacob Dunne’s moving memoir *Right From Wrong* to the Nottingham Playhouse stage earlier this year. It tells the story of teenager Jacob Dunne, who punches someone one...

James Graham's 'Punch' tickets now available through end of April 2025

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Graham's play is based on Jacob Dunne’s moving memoir *Right From Wrong* and tells his story of a one-punch crime, which has fatal consequences. 

Nobody puts baby in the corner! First-look artist impressions have been released of new west-London venue Capital Theatre, which will open with a production of [*Dirty Dancing*](https://www.londontheatre.co.uk/show/43487-dirty-dancing) in October 2025. 

Housed within Westfield London in Shepherd’s Bush, the permanent new theatre venue will hold 620 seats, set over 35,000 square feet, with no customer more than nine rows from the performance stage area.

The auditorium has been designed and...

First look inside London's new Capital Theatre ahead of 'Dirty Dancing'

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Check out these images inside west London's new venue Capital Theatre, which opens with a production of *Dirty Dancing* next autumn.

Casting has been announced for [*The Gift*](https://www.londontheatre.co.uk/show/43087-the-gift), which opens at the Park Theatre in London on 22 January.

Nicholas Burns (*Nathan Barley, Benidorm, Black Mirror*) will take on the lead role of Colin. He is joined by Laura Haddock (*Downton Abbey: A New Era, Guardians of the Galaxy, The Inbetweeners Movie*) as Lisa and Alex Price (*Father Brown*, originated Draco Malfoy in *Harry Potter and the Cursed Child* in the West End and on Broadway) as...

Casting announced for 'The Gift' at Park Theatre

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*The Gift* is a comedy that follows Colin after he receives an unexpected cake box from his favourite patisserie, only to find that what's inside is very much not a cake.

Further casting has been announced for the UK premiere of *Here We Are*, which opens at the National Theatre in London on 23 April 2025.

Inspired by two of Luis Buñuel’s films – *The Discreet Charm of the Bourgeoisie* and *The Exterminating Angel* – *Here We Are* is the final musical by Stephen Sondheim. It follows a group of guests at a dinner party, as they realise they’ve bitten off more than they can chew.

Joining this new production are Chumisa Dornford-May (*Natasha, Pierre & The Great...

Further casting announced for final Sondheim musical 'Here We Are'

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Inspired by two of Luis Buñuel’s films, *Here We Are* is the final musical by Stephen Sondheim and follows a group of guests at a dinner party.

Irish actor Paul Mescal is one of the biggest success stories of recent years. Born in 1996 in Maynooth, north County Kildare, Mescal initially aspired to be a footballer but discovered acting after an injury. He trained at Dublin’s Lir Academy of Dramatic Art and began his career as a stage actor.

Mescal’s mainstream breakthrough came in 2020 when he was cast as diffident student Connell Waldron in the television adaptation of Sally Rooney’s novel *Normal People* opposite Daisy Edgar-Jones....

Learn more about Paul Mescal's career ahead of 'A Streetcar Named Desire'

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The *Normal People* and *Gladiator II* star reprises his role as Stanley Kowalski at the Noël Coward Theatre in the West End for three weeks in February.

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Find out more about Paul Mescal theatre roles in London.

Paul Mescal - Stars on Stage | London Theatre

Find out the full cast for [*Orlando*](https://www.londontheatre.co.uk/show/26188-orlando-tickets) in the West End this autumn. *Orlando* begins previews at the [Garrick Theatre](https://www.londontheatre.co.uk/theatres/garrick-theatre) on 26 November, with an opening night on 5 December, and performances to 25 Feb. 2023. Book *Orlando* tickets on London Theatre.

Emma Corrin will play *Orlando* in the production. *The Crown* star made their West End debut in *ANNA X* at the Harold Pinter Theatre. 

Deborah Findlay joins Corrin in *Orlando* as Mrs Grimsditch. The Olivier-winning actress and Tony-nominated actress last performed in *Alllelujah!* at the Bridge Theatre. Jessica Alade, Debra Baker, Akuc Bol, Lucy Briers, Richard Cant, Melissa Lowe, Jodie McNee, Oliver Wickham and Millicent Wong complete the cast.

Virginia Woolf’s *Orlando* follows the title character as they embark on a five-century long journey to find out how it's possible to live authentically. The *Orlando* story is inspired by novellist and Woolf's lover, Vita Sackville-West. 

Michael Grandage directs Neil Bartlett's *Orlando* adaptation, with set and costume design by Peter McKintosh, lighting design by Howard Hudson, and composition and sound design by Alex Baranowski.

*Orlando* is at the Garrick Theatre.

Book *Orlando* tickets on London Theatre.

[![LT - CTA - 250](//images.ctfassets.net/6pezt69ih962/1t6HRGmhlYl70k6PmR0mOZ/3caac861bc1d4233cd7844652c925623/LT-CTA-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=26188&content_product_id=26188&venue_id=117)

*Photo credit: Emma Corrin (Photo courtesy of production)*

‘Orlando’, starring Emma Corrin, sets full casting 

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Michael Grandage directs the Golden Globe-winning actor [Emma Corrin](https://www.londontheatre.co.uk/stars-on-stage/emma-corrin) in Virginia Woolf’s *Orlando* at the Garrick Theatre. 

Emma Corrin leads the 11-strong *Orlando* cast, and Michael Grandage directs. The pair previously worked together on the 2022 Michael Grandage Company film, *My Policeman*, starring Harry Styles. Grandage’s previous theatre credits include *The Lieutenant of Inishmore* with Aidan Turner, and *Photograph 51* featuring Nicole Kidman. 

The *Orlando* play is a time-travelling story like no other. Meet Orlando, born as a male in Elizabeth I’s reign. After a sex change in their early 30s, they live through five centuries without aging and meet key figures in English literary history. As Orlando continues to ask thought-provoking questions, the hero-heroine is left with a major question — how can we find the courage to be ourselves?

Although the *Orlando* protagonist is fictional, Woolf's lover and contemporary novelist, Vita Sackville-West, is said to inspire the story. Sackville-West had an open relationship with her husband, Sir Harold Nicholson, and the pair had same-sex relationships before and during their wedding. Sackville-West believed that the feminine side of her personality was attracted to men, while the harsher side leaned to women.

Neil Bartlett adapts Virginia Woolf’s *Orlando* in London. He’s previously collaborated with *War Horse* creators Handspring Theatre Company, as well as the Royal Shakespeare Company and the National Theatre. 

### Who is Emma Corrin?

Emma Corrin is an award-winning actor. They are best known for playing Lady Diana Spencer in *The Crown*. Corrin made their West End debut in 2021, playing Anna in *Anna X* at the Harold Pinter Theatre and picking up their first Olivier nomination for Best Actress. Corrin plays Orlando in *Orlando*. 

Orlando LON London Theatre

Buy Orlando tickets showing at Garrick Theatre, London. Choose your own seats with the best availability at London Theatre.

Orlando Tickets | Garrick Theatre | London Theatre

Orlando wants to answer one question. What does it mean to be ourselves? Journeying over five centuries, Orlando realises it's a lifelong mission. Emma Corrin stars as the title character in Virginia Woolf's classic. Get *Orlando* tickets at the Garrick Theatre today.

Sadly, we can't live throughout five centuries. But, elements of the *Orlando* story are based on truths. Virginia Woolf's *Orlando* is inspired by Woolf's close friend, Vita Sackville-West, told from the time of her ancestor, Thomas Sackville. 

While Sackville-West was married to her husband, Sir Harold Nicholson, the pair often engaged in consensual same-sex relationships on the side. Sackville-West believed she had a split personality: her dominating side leaned to women, while her passive side was geared towards men. Neil Bartlett adapts Virginia Woolf’s *Orlando* into a joyous, inspiring tale fit for the 21st century. Don't miss the *Orlando* play in London.

## What to Watch For:

- Virginia Woolf’s *Orlando* was published in 1928. Other books published in 1928 include D. H. Lawrence’s *Lady Chatterley’s Lover*, A. A. Milne’s *The House at Pooh Corner*, and Bertolt Brecht’s *The Threepenny Opera*.
- Corrin works alongside director Michael Grandage for *Orlando*. The pair previously collaborated on the 2022 film, *My Policeman*, starring Harry Styles.

Orlando - LON - TodayTix

How do we define those most fundamental questions in life: who we are and who we love? And what happens when our feelings about gender, sexuality and identity come into conflict with rigid social structures? A century ago, Virginia Woolf ploughed headlong into what feels like a shockingly modern debate with *[Orlando](https://www.londontheatre.co.uk/show/26188-orlando-tickets)*, her forward-thinking 1928 novel. Now, [Emma Corrin](https://www.londontheatre.co.uk/theatre-news/news/discover-emma-corrin-award-winning-performances-on-tv-in-films-and-on-stage) – who rose to fame as Princess Diana in *The Crown* – stars in a new stage version of Woolf’s remarkable work.

The non-binary-identifying Corrin is particularly exciting casting for Orlando, an Elizabethan nobleman who wakes up one day to find that he is now physically a she, and who then proceeds to question the distinctions of gender as the centuries pass (Orlando is immortal and forever young, too). We know that the character is anatomically male at the start of the production, thanks to a flash of prosthetic genitals, but the transformation is left deliberately, and effectively, ambiguous.

Instead, Woolf’s playful tale shows up the absurdities – why should Orlando have to eat daintily as a woman, but not a man? – and the raging inequalities: Orlando can no longer inherit the family estate when he becomes female. Amusingly, some elements remain the same, too. Society keeps pressuring Orlando to marry, presenting first a collection of eligible wives, then potential husbands. 

*Orlando* is essentially an extraordinary love letter from Woolf to her paramour Vita Sackville-West, written to capture all of her many and contradictory facets. That boundless generosity comes blazing through Neil Bartlett’s adaptation: the joy of seeing Corrin’s androgynous, fiercely independent Orlando slipping in and out of different guises, boldly seeking adventure and growth, and pursuing lovers of the same or opposite sex, simply because that’s where happiness lies. 

There are profound moments that speak soberly to us, as well – most poignantly when Orlando emphasises, twice, that when he changed gender, some people wanted to kill him. That rings out with terrible force during a World Cup in a nation where homosexuality is criminalised, and at a time when many in the trans community face hostility and violence.

Michael Grandage’s nimble production also captures some of Woolf’s formal inventiveness. A chorus of Woolfs (fracturing her identity between them) narrates in fragmented, overlapping, layered language, glorying in the power of words to create and complicate. And a wonderful Deborah Findlay, acting as Orlando’s housekeeper and, here, dresser, breaks the fourth wall with panto vigour.

However, in zipping through hundreds of years in just 90 minutes, Bartlett resorts too often to comic zaniness – *Horrible Histories* style. There are so many quotes and references that it grows distracting, whether it’s lyrics from *Cabaret*, the peerless final line of *Some Like It Hot*, or even a riff on the Just Eat ad, alongside dodgy cod-Shakespearean blank verse.

Likewise, with casting that is cheerily gender- and colour-blind, Orlando ceases to be such a radical figure; it’s just one more person putting on a costume. That means nothing is “real”: not just the exterior constructs that Woolf was challenging, but the people within them as well, reduced to cameos. In particular, I wanted more of Lucy Briers’s world-weary Elizabeth I, and Millicent Wong’s smouldering princess and shrewd sex worker. Lampshading the latter as the “working-class supporting character” in a comic aside doesn’t excuse this use of her.

And yet this *Orlando* worth seeing for Corrin alone. Their performance is a glorious feat of shapeshifting, from wide-eyed boy to swaggering, sexy nobleman and self-possessed lady – while always retaining the soul of the character, their curious mind, quick wit and passionate heart. Corrin’s Orlando feels deeply: “I could taste her,” they gasp as lust overcomes them, and their heartbreak is all-consuming. 

Though Bartlett references how the past can speak to the here and now, his script stops short of really engaging with contemporary concerns. He over-emphasises some fairly obvious takeaways (of course you were better off as a man than a woman in most of recorded history, and still today really) and is too heavy-handed, even slightly tasteless, in how he prefigures Woolf’s suicide. 

But I was charmed by Peter McKintosh’s evocative design, which whisks us from the great frost of 1607 (dry ice and exquisite stillness) to a raucous Russian banquet, sumptuous tent in Constantinople, or the splendour of court – all juxtaposed with blasts of rock music. A flawed but engaging experiment, and one given a beating heart by the magnificent, mercurial Corrin.

*Orlando is at the Garrick Theatre through 25 February. Book Orlando tickets on London Theatre.*

[![LT - CTA - 250](//images.ctfassets.net/6pezt69ih962/1t6HRGmhlYl70k6PmR0mOZ/3caac861bc1d4233cd7844652c925623/LT-CTA-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=26188&content_product_id=26188&venue_id=117)

*Photo credit: Emma Corrin in Orlando (Photo by Marc Brenner)*

'Orlando' review – Emma Corrin is magnificent in this experimental Virginia Woolf adaptation

Born in Tunbridge Wells in 1995, Emma Corrin is a Golden Globe-winning actress, best known for playing Lady Diana Spencer in Netflix’s *The Crown*. She made her West End debut as Anna in *[Anna X](https://www.londontheatre.co.uk/show/anna-x)* at the [Harold Pinter Theatre](https://www.londontheatre.co.uk/theatres/harold-pinter-theatre).

While at school, Corrin developed a keen interest in the performing arts, eventually taking a gap year by doing a Shakespeare course at the London Academy of Music and Dramatic Art. After twelve months at LAMDA, Corrin then began a drama degree at Bristol University, later leaving to pursue Education, English, Drama and the Arts at St John’s College, Cambridge. While studying, Corrin appeared in two films: *Cesare* and *Alex’s Dream*, later graduating from Cambridge University in 2018.

It didn’t take long for Corrin to make her television debut. In 2019, she played Esther Carter in an episode of *Grantchester*, starring alongside Jemma Redgrave and Robson Green. She then played Esme Winikus in *Pennyworth*, an American crime drama using characters from DC Comics. She’s also starred in *Misbehaviour*, a British comedy film with Rhys Ifans, Keeley Hawes, Jessie Buckley and Keira Knightley.

Corrin’s breakout role came in 2020, cast as Diana, Princess of Wales in Netflix’s *The Crown*. She joins an illustrious line up of British actresses in the show, including Claire Foy, Olivia Colman and Helena Bonham Carter. To date, Corrin has won Best Actress categories at the Critics Choice and Golden Globe Awards, with this number likely to grow.

Corrin made her professional stage debut in Joseph Charlton’s play *Anna X*. She played the title character who tries to find herself in a mix of New York parties.

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Born in Tunbridge Wells in 1995, Emma Corrin is a Golden Globe-winning actress, best known for playing Lady Diana Spencer in Netflix’s The Crown. She made her West End debut as Anna in Anna X at the Harold Pinter Theatre.

Emma Corrin - Stars on Stage | London Theatre

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Boys From The Blackstuff

The Garrick Theatre is a renowned and historical theatre venue located in the heart of London, Charing Cross Road, near Leicester Square. Opened in 1889, it was named after the stage actor David Garrick. Designed by Walter Emden and C.J. Phipps, it is built with an exquisite blend of classical and baroque architectural styles, giving it a unique touch of elegance. The theatre boasts a theatrical heritage unrivalled in its history of performances, artists, and premieres, hosting a variety of world-class productions ranging from dramatic plays, farces, comedic performances, to Shakespearean plays. With a seating capacity of 656 spread across three levels - stalls, dress circle, and grand circle - the theatre offers an intimate atmosphere, drawing audience closer to the performances and making it a favourite venue for both theatre-goers and performers. Along with the splendid auditorium, the theatre contains bars at each level providing a comfortable space for refreshment. The theatre is equipped with state-of-the-art systems offering excellent audio and visual experiences. A visit to the Garrick Theatre is a step back into time, offering classic London theatre experience in a beautiful and iconic venue. 

## How to Get There
The Garrick Theatre is easily accessible by various modes of transport. If you are using the London Underground, the closest Tube stations are Leicester Square (Northern, Piccadilly) and Charing Cross (Bakerloo, Northern). By bus, several bus routes pass close to the theatre, including the numbers 24, 29 and 176. If driving, the nearest car park is Q-Park Chinatown.

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The Garrick Theatre opened in 1889, and is named after actor David Garrick. When the theatre was built, architects discovered an underground river on the site!

The theatre became associated with comedy in 1982 with a four-year run of the farce *No Sex Please, We’re British*. This was the longest-running show at the Garrick, until J. B. Priestley’s *An Inspector Calls* transferred from the [Aldwych Theatre](https://www.londontheatre.co.uk/theatres/aldwych-theatre) in 1995 and resided for six years.

In recent years, a number of musicals have played here, including *A Little Night Music*, *Chicago*, and *The Scottsboro Boys*. In 2015, [Kenneth Branagh](https://www.londontheatre.co.uk/stars-on-stage/kenneth-branagh) took up residency at the Garrick for a year-long season of plays with his own theatre company. 

## Garrick Theatre Seating Information

The auditorium has three levels – Stalls, Dress Circle and Grand Circle. In the Stalls, the view of the top of the stage is slightly obscured by the overhang of the Dress Circle from Row N onwards. 

In the Dress Circle, the view of the stage is not obscured by the overhang of the Upper Circle, but the ceiling can feeel low for those in the last row. The seats are designed in a horseshoe shape around the theatre and the Dress Circle offers good sightlines.

Garrick Theatre - London Theatre

The Garrick Theatre, opened in 1889, is associated with comedy and musicals, and has housed popular shows like 'An Inspector Calls'. It features three seating levels.

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The Garrick Theatre is an iconic London venue, known for its architectural elegance, rich history, and hosting top-tier productions.

‘Orlando’, starring Emma Corrin, sets full casting

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