Whether you're looking for a festive production that packs a punch or you're wanting a crowd-pleaser for all ages, spend your Christmas in the West End at these seasonal shows. Whatever age you are, there's a show to suit you. 

If you're wanting to create traditions with your children, nieces or nephews, then we recommend a pantomime that's packed with silliness and jokes a-plenty. There is also a fabulous range of festive dance, from *The Nutcracker* to *The Snowman*. Here, we round up the top...

Top 10 Christmas Shows in London

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Discover the best West End shows to see at Christmastime in 2024, including a fresh comic take on *A Christmas Carol*, and some glorious festive dance.

The full cast has been announced for Nicholas Hytner's new production of Shakespeare's [*Richard II*.](https://www.londontheatre.co.uk/show/14375-richard-ii) *Bridgerton* and *Wicked* star Jonathan Bailey has already been announced as playing the title role when performances start at the Bridge Theatre on 10 February.

Michael Simkins (*The Crown, Silent Witness*) will star as the Duke of York, and is currently appearing in the Bridge Theatre production of [*Guys &...

Full cast announced for Jonathan Bailey-led 'Richard II' at Bridge Theatre

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Michael Simkins (*The Crown, Silent Witness*) will star as the Duke of York, and is currently appearing in the Bridge Theatre production of *Guys & Dolls*.

The West End works so brilliantly because it’s a mix of iconic long-running shows and new arrivals, meaning there’s always something fresh to see as well as the chance to revisit your favourites. But for those new productions to debut, we do have to bid goodbye to other shows.

As there are so many London plays and musicals to keep track of, we’ve put together a handy guide to West End productions with their closing dates, from shows closing in 2024 to those finishing in 2025 and the ones that...

Complete schedule of West End closings

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Learn all about these London shows' closing dates so you can catch them before they go! Get your last-minute tickets to the final performances of West End favourites today.

Mike Bartlett’s new play *Unicorn* will premiere in the West End next year. Performances will begin on 4 February at the Garrick Theatre for a strictly limited run.

Directed by James Macdonald, Bartlett's play follows couple Polly and Nick, who seemingly have it all. But something is missing from their lives, which is needed to add that spark.

The cast will include Nicola Walker (*Unforgotten, The Split*), Stephen Mangan (*The Split, Episodes*), and Erin Doherty (*Death of England: Closing...

Mike Bartlett’s new play 'Unicorn' to premiere in West End in 2025

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Unicorn will reunite James Macdonald, Mike Bartlett, and Kate Horton following their collaboration on the original production of Cock at the Royal Court in 2009.

Paul Mescal will reprise his Olivier Award-winning turn as Stanley in Rebecca Frecknall's production of Tennessee Williams’s *A Streetcar Named Desire* in the West End next year. The play will run for three weeks only from 3-22 February 2025 at the Noël Coward Theatre.

Known for his roles in *Gladiator II, Normal People*, and *All Of Us Strangers*, Mescal will be joined by Patsy Ferran (*Summer & Smoke*) as Blanche, Anjana Vasan (*We Are Lady Parts*) as Stella, and Dwane Walcott (*One Night in...

'A Streetcar Named Desire' starring Paul Mescal to return to the West End for limited run

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Paul Mescal is best known for his roles in *Gladiator II, Normal People*, and *All Of Us Strangers* alongside Andrew Scott. Patsy Ferran will also star.

*101 Dalmatians The Musical* will transfer to the Eventim Apollo in London for a six-week run next summer. 

The musical, which has music and lyrics by Douglas Hodge and a book by Johnny McKnight, was first performed at Regent’s Park Open Air Theatre in 2022 and is currently on a UK tour starring Faye Tozer (Glasgow, Edinburgh) and Kerry Ellis (Oxford, Brighton) as Cruella De Vil.

Based on Dodie Smith’s classic book and adapted for the stage by Zinnie Harris (*The Duchess*), *101 Dalmatians*...

'101 Dalmatians' to transfer to London next summer

1200 LT 101 Dalmatians The Musical Tour (Landscape with no title). Photo credit is Oliver Rosser, Feast Creative.

The musical first opened at Regent’s Park Open Air Theatre in 2022 and is currently on a UK tour starring Faye Tozer (Glasgow, Edinburgh) and Kerry Ellis (Oxford, Brighton) as Cruella De Vil.

England’s capital city beckons travellers with its vast array of awe-inspiring attractions. London’s countless architectural wonders, cultural institutions, and rich history make the city a popular destination. 

Whether you are building an itinerary for a one-day trip to London Town or are fortunate enough to embark on a longer excursion, there’s plenty to do. We have curated a list of London’s top attractions to make for lasting travel memories. Stroll through the city’s many pristine parks,...

Top attractions in London

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Read our guide to London's top attractions to get tickets to, from Buckingham Palace to the London Tower, Wembley Stadium to Kew Gardens, and more.

Pop the champagne because *The Great Gatsby* is coming to the West End! The new Tony Award-winning musical, which opened on Broadway in April 2024, will arrive at the London Coliseum on 11 April 2025, running until 7 September.

An adaptation of F. Scott Fitzgerald’s 1925 novel, *The Great Gatsby* follows mysterious millionaire, Jay Gatsby, who hosts decadent parties but pines for his former flame Daisy Buchanan. The novel was adapted for the screen in 2013 by Baz Luhrmann, starring Leonardo...

'The Great Gatsby' musical to transfer to the London Coliseum 

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The new musical opened at The Broadway Theatre in April 2024, following a world premiere at Paper Mill Playhouse in New Jersey in late 2023. 

Help is on the way, dears! Everyone’s favourite Scottish nanny – first inhabited in the 1993 comedy film by Robin Williams, playing a divorced dad who disguises himself as Mrs Doubtfire so he can see his children – is now a West End star.

The inventive, heartfelt and raucously funny stage musical adaptation has become a new audience favourite, packed with gags, big musical numbers, and a touching reflection on how family can come in different forms, as long as there is love.

As you prepare for...

Make a day out of 'Mrs Doubtfire' in London

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Make your family visit to West End musical comedy *Mrs Doubtfire* a sure-fire hit by adding even more fun activities to your London trip.

Further casting has been announced for the Brie Larson-led production of Sophocles’s [*Elektra*,](https://www.londontheatre.co.uk/show/42608-elektra) which begins performances at the Duke of York’s Theatre in the West End on 24 January, 2025.

Larson, who is making her West End debut, will be joined by Stockard Channing (*The West Wing, The Good Wife*), Marième Diouf (*Romeo and Juliet*), Greg Hicks (*Grapes of Wrath, Coriolanus*), and Patrick Vaill ([*Stranger Things: The First...

Further casting revealed for Brie Larson-led 'Elektra' in the West End

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Stockard Channing, Marième Diouf, Greg Hicks, and Patrick Vaill will join Brie Larson in Anne Carson's translation of Sophocles's great tragedy.

Have we seen this before? The [*Groundhog Day*](https://www.londontheatre.co.uk/show/27150-groundhog-day) musical will return to the [Old Vic](https://www.londontheatre.co.uk/theatres/old-vic-theatre) in 2023. *Groundhog Day* begins previews on 20 May, ahead of an opening night on 8 June, and performances to 12 August. 

“*Groundhog Day* is one of my all-time favourite films and making the musical stage adaptation with Danny Rubin and Tim Minchin was one of the happiest creative experiences of my life.. the *Groundhog Day* film manages to be both a great screwball comedy-romance and also a profound life-lesson combined… adding up to, in my view, the perfect entertainment,” said Matthew Warchus, artistic director of the Old Vic.

*Groundhog Day* follows Pittsburgh TV weatherman, Phil Connors, who is sent to cover a smalltown event in Punxsutawney, Pennsylvania. While there, he finds himself caught in a time loop where he repeats his actions every day. The musical premiered at the Old Vic in 2016, and won Best New Musical and Best Actor in a Leading Role in a Musical (for Karl) at the Olivier Awards. 

[Andy Karl](https://www.londontheatre.co.uk/stars-on-stage/andy-karl) returns to play Phil Connors. He’s also played Edward Lewis in *Pretty Woman: The Musical*, and recently starred in the current revival of *Into the Woods* on Broadway.

*Matilda* creatives Tim Minchin and Matthew Warchus reunite for Groundhog Day, providing original music and lyrics, and direction respectively. The musical features a book by Danny Rubin, choreography by Lizzi Gee, set and costume design by Rob Howell, lighting design by Hugh Vanstone, and sound design by Simon Baker.

In a [*Groundhog Day* review on London Theatre](https://www.londontheatre.co.uk/reviews/groundhog-day-review-of-tim-minchins-new-musical-at-the-old-vic-theatre), our critic said: “But it is the wild eclecticism of Minchin's score that is the take-home treat. It's one I'll want to re-live again and again. Ditto the lead performance of Andy Karl, a Broadway actor imported to play Phil, who is spellbinding. So is the entire show.” 

*Groundhog Day* is at the Old Vic.

*Photo credit: Groundhog Day (Photo by Manuel Harlan)*

Andy Karl to star in ‘Groundhog Day’ at the Old Vic 

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Suitable for Ages 12+. Anyone under the age of 16 must be accompanied by an adult.

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Genre: Musical (US and AUS)

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Tanisha Spring (Rita Hanson) and Andy Karl (Phil Connors) in Groundhog Day at The Old Vic (2)

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[Andy Karl](https://www.londontheatre.co.uk/stars-on-stage/andy-karl) reprises his Olivier Award-winning performance as weatherman Phil Connors in the zany musical. *Groundhog Day* tickets are available on London Theatre now. 

The *Groundhog Day* musical is based on the 1993 *Groundhog Day* film of the same name, and both feature a script by Danny Rubin. The musical follows Phil Connors, a television weatherman who reassures viewers on 1 February that a blizzard will not hit western Pennsylvania. That same evening, he's sent on an assignment and begrudgingly travels to Punxsutawney, a small town 90 minutes outside of Pittsburgh, to cover the “Groundhog Day” festivities. 

Every year, an infamous groundhog —  Punxsutawney Phil — "predicts" the weather. But in a turn of events, Phil Connors is stuck in his own time loop. In order to prevent being forced to relive 2 February over and over again, Phil must change the way he approaches life, and the world around him. Will Phil stop being a cynic?

In a [2016 *Groundhog Day* review for London Theatre](https://www.londontheatre.co.uk/reviews/groundhog-day-review-of-tim-minchins-new-musical-at-the-old-vic-theatre), our critic said: "Andy Karl pulls off the impressive feat of giving its inevitability a high-stakes tension. He's understandably bewildered by what's happening to him; then he throws caution to the wind and starts to enjoy the playfulness that he can have in knowing what's coming up; and finally, through eventual acceptance, to a beautiful understanding of himself. Andy Karl and the entire show are both spellbinding."

Andy Karl reprises the role of Phil Connors for *Groundhog Day* in 2023. The Broadway actor first played the role in 2016, and again for the Broadway transfer, picking up an Olivier Award and a Tony nomination for Best Actor in a Musical. 

### Who wrote the *Groundhog Day* musical?

Danny Rubin wrote the *Groundhog Day* musical. Some of the West End’s finest creatives reunite to collaborate on the *Groundhog Day* musical. Director Matthew Warchus and musician and lyricist Tim Minchin work together for the first time since *Matilda* — both musicals won Best Musical at the Olivier Awards. 

### What is the Groundhog Day tradition?

The “groundhog day” tradition hails from North America. Every 2 February, a groundhog is said to come out of its hibernation to one of two results. If the groundhog does not see its shadow, then spring is said to begin. If the animal sees its shadow, the groundhog returns to its hole — superstition says this ushers six more weeks of wintry weather. However, if you’re living a “groundhog day,” this means you’re living repeated days in the same way.

Tickets to *Groundhog Day* are available now. Book your *Groundhog Day* tickets on London Theatre today.


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Book theatre tickets for Groundhog Day in London. Choose your seats and find the best availability on LondonTheatre.co.uk.

Groundhog Day Tickets | London Theatre

When Pittsburgh TV weatherman Phil Connors is sent on a country mission, he's caught on a time loop. Will he manage to break free? Andy Karl reprises his Olivier-winning performance in *Groundhog Day* at the Old Vic. Get *Groundhog Day* tickets on London Theatre.

*Groundhog Day* reunites two theatrical geniuses: director Matthew Warchus and musician and lyricist Tim Minchin. They previously created *Matilda the Musical* for the Royal Shakespeare Company — both *Matilda* and *Groundhog Day* took home Oliviers for Best New Musical. They’re joined by a fine creative team, including set and costume designer Rob Howell, lighting designer Hugh Vanstone, and sound designer Simon Baker.

In order to bring the film to life, *Groundhog Day* needs a zingy, witty script. Thankfully, the film’s screenwriter, Danny Rubin, returns to create an entertaining musical story. The original film is preserved in the National Film Registry, and its storyline is utilised as a religious fable. Let's hope the West End musical is similarly preserved in the hearts and minds of theatregoers.

## What to Watch For: 

- Andy Karl will play weatherman Phil Connors. He originated the role at the Old Vic in 2016, and later played Phil in *Groundhog Day* on Broadway. Karl won an Olivier Award for Best Actor in a Musical, and earned a Tony Award nomination for Best Actor.
- The first “Groundhog Day” celebration of its kind took place at Gobbler’s Knob in Punxsutawney, Pennsylvania, on 2 Feb. 1887. Every 2 February, if a groundhog does not see its shadow, then spring can begin. If the animal sees its shadow, the groundhog returns to its hole — superstition then says this ushers six weeks of winter. The annual event is now a three-day long festival. 
- The tradition is based on Candlemas, an ancient Christian tradition dating back to the 4th century, in which religious leaders celebrated the light after winter

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Get the best prices on theatre tickets for Groundhog Day on TodayTix. The five-star Olivier Award-winning musical returns to The Old Vic.

Groundhog Day Tickets | London | TodayTix

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Buy tickets for Groundhog Day at the Old Vic in London. Find official theatre tickets to Musicals with Box Office.

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If any show was tailor-made for repeat viewings, it’s [*Groundhog Day*](https://www.londontheatre.co.uk/show/27150-groundhog-day). It’s not just the inspired time-loop premise of Danny Rubin’s tale – first seen in his 1993 existential romcom movie, then in this stage musical adaptation with Tim Minchin for the [Old Vic](https://www.londontheatre.co.uk/theatres/old-vic-theatre) in 2016 – but the extraordinary intricacy of both writing and staging, which mean that each encounter with it reveals new wonders. This fresh run proves once again that the production is a timeless triumph.

The magnificent [Andy Karl](https://www.londontheatre.co.uk/theatre-news/news/a-complete-guide-to-groundhog-day-starring-andy-karl), who won an Olivier for his smooth-talking, jaded weatherman Phil Connors, reprises the role. Phil becomes trapped in the small town of Punxsutawney, Philadelphia, after reluctantly reporting on whether its resident groundhog has seen its shadow, which would mean six more weeks of winter. Or, as he grumbles in his dismissive opening number, “talking to hicks about magical beavers.” 

Matthew Warchus (who also collaborated with Minchin on [*Matilda*](https://www.londontheatre.co.uk/show/305-matilda-the-musical-tickets)) creates his own kind of magic through the astonishing repetitions in Phil’s purgatorial trap – even slicker here in this streamlined revival. Each scene has to play out exactly as it did on the “previous” *Groundhog Day*, but with subtle variations (like *Constellations* on a larger scale), as Phil is first baffled, then infuriated, liberated, nihilistic, and finally accepting of his situation.

There are incredible feats of staging in which Karl seems to be in two places at once (the illusions, by Paul Kieve, draw rapturous applause) while the ensemble, brilliantly drilled by Lizzi Gee, has absolute clockwork precision. That’s balanced with endearingly low-tech theatrical solutions to questions like “How do you stage a car chase?” Answer: with handheld miniature vehicles and houses, and a dose of knowing humour.

But *Groundhog Day* isn’t just a logistical tour de force: it’s also a complex, witty, and deeply empathetic drama. Karl delivers an even richer portrait of Phil this time around – and, unlike Bill Murray’s laconic version, his begins explicitly sleazy, nasty, and supercilious. In fact, there’s a hint of *Succession*: You could easily imagine Kendall Roy, as Phil does here, demanding the cops find a “fast lane for celebrities” through the blizzard-struck roads.

He initially uses his time-warp existence to fuel his predatory pickup artist activities – as though each woman is a level on a video game he can keep playing until he wins it. But he can’t bullshit his way into his producer Rita’s heart (or bed), and it’s only when he takes a genuine interest in other people’s lives, instead of manipulating them for his own benefit, that he finds meaning and purpose. 

Karl manages that transition expertly. He’s aided by Minchin’s dazzling, eclectic score, which darts between an incisive takedown of those who promise cure-all solutions – from religious fanatics to alternative therapists proffering reiki or enemas – and a jagged, daringly bleak grunge-rock song as Phil tries various methods of suicide.

Phil eventually discovers that love is in the details – a luminous idea reflected formally in Minchin’s exquisite craftsmanship. There isn’t one lazy rhyme or vague platitude. His lyrics teem with pithy phrases, specific and vivid references, and challenging ideas. It honours an ambitious story that, beneath its droll satire, asks nothing less than what life is for. 

If not quite as fully developed as Phil, the show’s Rita has more of a voice than in the film and stronger agency. Her funniest number articulates the dilemma of the modern woman, who wants a respectful partner, yet guiltily fantasises about a strong man tossing her over his shoulder. Tanisha Spring brings a radiant warmth, shrewd intelligence, and gorgeous vocals to the role, and she has a lovely slow-burn chemistry with Karl.

The best gag in the piece comes when Phil asks two barflies “What would you do if you were stuck in one place, and every day was exactly the same, and nothing you did mattered?” – kicking off a cracking honky-tonk country song in which they express exactly the same defeated sentiment. It's marvellous melancholic (and alcoholic) comic timing from Nick Hayes and Chris Jenkins.

But Minchin also subverts our expectations with several punchline characters, emphasising that everyone has a story worth hearing. In the second half, Andrew Langtree’s annoying, squeaky-voiced insurance salesman Ned Ryerson opens up a well of grief, while Eve Norris passionately delivers a blistering meta-song about being cast as perky, sexualised characters like Phil’s one-night stand Nancy. 

Dismayingly, that latter point feels as pertinent as ever, as do the microaggressions and casual misogyny that come Rita’s way in the workplace. Although she’s a capable 36-year-old associate producer, Phil dismissively calls her “Kid.”

Other elements struck differently post-Covid. We’ve all now experienced that *Groundhog Day* horror of being trapped – strongly evoked in Rob Howell’s claustrophobic hotel room set, nightmarishly lit by Hugh Vanstone. The core point about living for the moment, since no one can “forecast” the future or know when it all might end, hits home with almighty power. 

But the biggest takeaway is the solace that Phil finds when he immerses himself in a community – our greatest loss during the pandemic, both on and off stage. There’s immense joy in both big set pieces like the ensemble doing a soft (snow) shoe shuffle together, and in small moments of human connection. 

Lets hope *Groundhog Day* makes it to the West End this time, so we can savour its brilliance again, and again, and again...

[*Groundhog Day* is at the Old Vic through 19 August. Book *Groundhog Day* tickets on London Theatre.](https://www.londontheatre.co.uk/show/27150-groundhog-day)

[![Book Tickets CTA - LT/NYTG](//images.ctfassets.net/6pezt69ih962/3qAtGOdQq9x3k1WcHlaJnw/90ece91bbe47ed07e142c2e43c7a7a3f/BookTickets-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=27150&content_product_id=27150&venue_id=191) 

*Photo credit: Groundhog Day at the Old Vic. (Photo by Manuel Harlan)*

'Groundhog Day' review – this extraordinary musical is a total triumph, again

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Read our five-star review of *Groundhog Day*, starring Andy Karl, now in performances at the Old Vic through 19 August.

Born in Baltimore, United States, in 1973, Andy Karl is an Olivier Award-winning actor. In the United Kingdom, he’s best known for playing weatherman Phil Connors in *Groundhog Day*. Like the film, history will repeat itself, as Karl plays Phil in *Groundhog Day* at the Old Vic in 2023.

After graduating from Towson University with a degree in voice and music, Karl made his stage debut as the Rum Tum Tugger in a US tour of *Cats*. He then made his New York debut in Stephen Sondheim’s *Saturday Night* at Second Stage Theatre in 2000, alongside Lauren Ward and Christopher Debut. 

That same year, Karl made his Broadway debut as Joey in *Saturday Night Fever* at the Minskoff Theatre. His Broadway career continued: David Fonda in *The Wedding Singer*, Chad and Kyle in *Legally Blonde,* Joe in *9 to 5*, Fiyero in *Wicked,* Tommy DeVito in *Jersey Boys* and Neville Landless in *The Mystery of Edwin Drood.*

In 2014, Karl played his first lead role in a Broadway musical, taking on boxer Rocky Balboa in *Rocky* at the Winter Garden Theatre. [Read reviews of *Rocky* on New York Theatre Guide.](https://www.newyorktheatreguide.com/reviews/rocky). For *Rocky*, Karl received a Tony Award nomination for Best Actor in a Musical. 

A year later, he was then cast as Bruce Granit in *On The Twentieth Century* earning a second Tony nomination. In a [five-star review on New York Theatre Guide](https://www.newyorktheatreguide.com/reviews/on-the-twentieth-century), a critic said: "this is a musical of extraordinary proportions. It is as fine a production as you will find anywhere. And if musicals are your preferred theatrical flavor, you will be in h-e-a-v-e-n."

Recently, he originated the role of Edward Lewis, as portrayed in the film by Richard Gere, in *Pretty Woman: The Musical* at the Nederlander Theatre. He starred opposite [Samantha Barks](https://www.londontheatre.co.uk/stars-on-stage/samantha-barks) in the Broadway musical.

In 2016, Karl made his West End debut as Phil Connors in *Groundhog Day*, eventually winning the Olivier Award for Best Actor in a Musical. Following the London run, he starred in the Broadway transfer, and received his third Tony Award nomination. In 2023, Karl reprises the role for the Old Vic. 


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Read more about Andy Karl on stage in London.

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The Constituent

‘I am not your punch bag! I am a Member of Parliament!’ 

An MP with an instinct for compassion. An ex-serviceman with a life in free fall. And a parliamentary protection officer who’s having none of it.  

The Old Vic is amongst London's most revered theatre venues, situated in the heart of the bustling city. Founded in 1818, this prestigious establishment continues to attract audiences with its dynamic array of world-renowned plays, ballets, operas and pantomimes. With a seating capacity of over 1,000, the richly decorated auditorium offers an immersive and intimate experience for all spectators. The Old Vic's enchanting neoclassical exterior and swirling marble foyers take you back in time, while its state-of-the-art sound and lighting system provide a modern and truly spectacular performance environment. Its stellar shows often star internationally acclaimed actors and directors. Over its 200-year legacy, the venue has been the home for breakthrough performances and debuts of some of the greatest plays in theatre history. 

**How to get to the Old Vic Theatre:** The Old Vic is conveniently located near multiple transport links. The nearest underground station is Waterloo, served by the Northern, Bakerloo, Jubilee, and Waterloo & City lines. The theatre is only a short 4-minute walk away. Bus routes 1, 68, 168, 171, 172, 176, 188 serve the area around the theatre. If you are driving, the nearest car park is the Waterloo Car Park located on York Road.

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The Old Vic, originally named the Royal Coburg Theatre, was designed in 1818 by Rudolph Cabanel. Its name was later changed to the Royal Victoria Theatre, then the Royal Victoria Hall, before it took on its nickname of 'The Old Vic' as its official name in 1925. 

The Old Vic has housed acclaimed performances with such celebrated actors as John Gielgud’s *Hamlet*, Laurence Olivier’s *Macbeth* and *Othello* in 1937, and Judi Dench’s Juliet in *Romeo and Juliet*, which was privately performed for The Queen in 1957.

In 1963, the Old Vic became the home base of the [National Theatre](https://www.londontheatre.co.uk/theatres/national-theatre) of Great Britain during its formation under Laurence Olivier. The theatre continued to host the National Theatre until the move to South Bank in 1976. 

There are two entrances to the Old Vic: one on The Cut and the other on Waterloo Road, which is an accessible entrance. In 2019, 'Penny', an accessible basement cafe and bar was opened, offering drinks, sandwiches and snacks. 

## Old Vic Seating Information

The auditorium has three levels - Stalls, Dress Circle, and the Lilian Baylis Circle.

Despite the Dress Circle overhang, this doesn’t affect the view due to pillars. There is also a staggered rake that will be noticeable from row J to allow better viewing.

The Lilian Baylis Circle is high above the ground and overhangs the Dress Circle at row C meaning row E will miss the top of the stage. There are also standing seats available at the sides of this circle.

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Originally named Royal Coburg Theatre, The Old Vic was founded in 1818. It's been home to acclaimed performances and was the base of the National Theatre of Great Britain from 1963 to 1976.

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The Old Vic is a historic theatre in London known for world-class performances. It's conveniently accessible via Waterloo station and local bus routes.

Andy Karl to star in ‘Groundhog Day’ at the Old Vic

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