Paul Mescal will reprise his Olivier Award-winning turn as Stanley in Rebecca Frecknall's production of Tennessee Williams’s *A Streetcar Named Desire* in the West End next year. The play will run for three weeks only from 3-22 February 2025 at the Noël Coward Theatre.

Known for his roles in *Gladiator II, Normal People*, and *All Of Us Strangers*, Mescal will be joined by Patsy Ferran (*Summer & Smoke*) as Blanche, Anjana Vasan (*We Are Lady Parts*) as Stella, and Dwane Walcott (*One Night in...

'A Streetcar Named Desire' starring Paul Mescal to return to the West End for limited run

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Paul Mescal is best known for his roles in *Gladiator II, Normal People*, and *All Of Us Strangers* alongside Andrew Scott. Patsy Ferran will also star.

*101 Dalmatians The Musical* will transfer to the Eventim Apollo in London for a six-week run next summer. 

The musical, which has music and lyrics by Douglas Hodge and a book by Johnny McKnight, was first performed at Regent’s Park Open Air Theatre in 2022 and is currently on a UK tour starring Faye Tozer (Glasgow, Edinburgh) and Kerry Ellis (Oxford, Brighton) as Cruella De Vil.

Based on Dodie Smith’s classic book and adapted for the stage by Zinnie Harris (*The Duchess*), *101 Dalmatians*...

'101 Dalmatians' to transfer to London next summer

1200 LT 101 Dalmatians The Musical Tour (Landscape with no title). Photo credit is Oliver Rosser, Feast Creative.

The musical first opened at Regent’s Park Open Air Theatre in 2022 and is currently on a UK tour starring Faye Tozer (Glasgow, Edinburgh) and Kerry Ellis (Oxford, Brighton) as Cruella De Vil.

England’s capital city beckons travellers with its vast array of awe-inspiring attractions. London’s countless architectural wonders, cultural institutions, and rich history make the city a popular destination. 

Whether you are building an itinerary for a one-day trip to London Town or are fortunate enough to embark on a longer excursion, there’s plenty to do. We have curated a list of London’s top attractions to make for lasting travel memories. Stroll through the city’s many pristine parks,...

Top attractions in London

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Read our guide to London's top attractions to get tickets to, from Buckingham Palace to the London Tower, Wembley Stadium to Kew Gardens, and more.

Pop the champagne because *The Great Gatsby* is coming to the West End! The new Tony Award-winning musical, which opened on Broadway in April 2024, will arrive at the London Coliseum on 11 April 2025, running until 7 September.

An adaptation of F. Scott Fitzgerald’s 1925 novel, *The Great Gatsby* follows mysterious millionaire, Jay Gatsby, who hosts decadent parties but pines for his former flame Daisy Buchanan. The novel was adapted for the screen in 2013 by Baz Luhrmann, starring Leonardo...

'The Great Gatsby' musical to transfer to the London Coliseum 

1200 LT The cast of The Great Gatsby (c) Matthew Murphy and Evan Zimmerman

The new musical opened at The Broadway Theatre in April 2024, following a world premiere at Paper Mill Playhouse in New Jersey in late 2023. 

Help is on the way, dears! Everyone’s favourite Scottish nanny – first inhabited in the 1993 comedy film by Robin Williams, playing a divorced dad who disguises himself as Mrs Doubtfire so he can see his children – is now a West End star.

The inventive, heartfelt and raucously funny stage musical adaptation has become a new audience favourite, packed with gags, big musical numbers, and a touching reflection on how family can come in different forms, as long as there is love.

As you prepare for...

Make a day out of 'Mrs Doubtfire' in London

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Make your family visit to West End musical comedy *Mrs Doubtfire* a sure-fire hit by adding even more fun activities to your London trip.

Further casting has been announced for the Brie Larson-led production of Sophocles’s [*Elektra*,](https://www.londontheatre.co.uk/show/42608-elektra) which begins performances at the Duke of York’s Theatre in the West End on 24 January, 2025.

Larson, who is making her West End debut, will be joined by Stockard Channing (*The West Wing, The Good Wife*), Marième Diouf (*Romeo and Juliet*), Greg Hicks (*Grapes of Wrath, Coriolanus*), and Patrick Vaill ([*Stranger Things: The First...

Further casting revealed for Brie Larson-led 'Elektra' in the West End

elektra 1200 LT

Stockard Channing, Marième Diouf, Greg Hicks, and Patrick Vaill will join Brie Larson in Anne Carson's translation of Sophocles's great tragedy.

The full cast has been announced for William Shakespeare's *A Midsummer Night’s Dream*, which opens at the Barbican in London on 3 December, running until 18 January, 2025.

Joining Mathew Baynton (*Ghosts, Wonka*) as Bottom, is Andrew Richardson (*Guys and Dolls*) as Oberon/Theseus and Katherine Pearce (*Waterloo Road*), who returns to the RSC as Puck.

New company members also include Alexander Bellinfantie (Moth), Eliza Smith (Mustardseed), and Natalie Thomas (Peaseblossom).

They join...

'A Midsummer Night's Dream' announces full cast at the Barbican

midsummer nights dream cast 1200 LT

Joining Mathew Baynton as Bottom, is Andrew Richardson as Oberon/Theseus and Katherine Pearce as Puck. Eleanor Rhode directs Shakespeare's play about love, magic, appearance, and jealousy.

Lead casting has been announced for new musical *Hercules*, which opens in the West End next summer. Performances will begin at Theatre Royal Drury Lane on 6 June, 2025.

Luke Brady will play the title role in the musical next year. His stage credits include *As You Like It* (RSC), *SuperYou* (Lyric Theatre), *Assassins* (Chichester Theatre), *The Prince of Egypt* (Dominion Theatre), *Twelfth Night, The Merchant of Venice,* and *The Taming of the Shrew* (Shakespeare’s Globe), while on screen he...

'Hercules' reveals lead casting in the West End

1200 LT Luke Brady to play Hercules in Disney-s Hercules - Photo by Phil Hill © Disney

*Hercules* has music by Alan Menken and lyrics by David Zippel, and a new book by Robert Horn and Young Vic outgoing artistic director Kwame Kwei-Armah.

There’s no better way to escape those dark winter nights than with a trip to the theatre. Happily, November is serving up plenty of exciting London shows to keep any winter blues at bay, with some major openings in the West End and beyond. 

Those who can't wait for *The Greatest Showman* musical to arrive in London can whet their appetities with [*Come Alive!*](https://www.londontheatre.co.uk/show/37379-come-alive), a spectacular circus show based on the music of the hit 2017 film, with an...

Top theatre to see in London in November

1200 LT Álvaro Morte & Lily Collins - Barcelona - The Duke of York-s Theatre - Photo Credit Marc Brenner .1

West End

Find out the best shows to see in London in November 2024, from *Barcelona* with Lily Collins and Álvaro Morte, to *Dr. Strangelove* with Steve Coogan.

Additional shows have been announced in the Bush Theatre's line-up for 2025, including a new play starring Olivier Award nominee and *It's a Sin* actor Omari Douglas.

He has been cast in Coral Wylie's new play *Lavender, Hyacinth, Violet, Yew*, which follows 19-year-old Pip as they dig into their family's past, unearthing old secrets. Directed by Debbie Hannan (Overflow), the cast also includes Wil Johnson, Pooky Quesnel, and writer Wylie. The show will run from 8 February to 22 March.

Making...

Bush Theatre announces new shows in 2025 season

1200 LT Lavender, Hyacinth, Violet, Yew

Work by Coral Wylie, babirye bukilwa, and Mohamed-Zain Dada will continue the Bush Theatre's programming in 2025, with Olivier Award nominee Omari Douglas returning to the stage.

Nicholas Hytner’s immersive production of [*Guys & Dolls*](https://www.londontheatre.co.uk/show/25504-guys-and-dolls-tickets) has announced its final extension at London's Bridge Theatre. The show will now run until 4 January 2025.

The production, which opened at the theatre in March 2023, recently won the Olivier Award for Best Theatre Choreographer for Arlene Phillips with James Cousins.

*Guys & Dolls* stars Owain Arthur (*The History Boys, One Man, Two Guvnors, The Lord of the Rings*) as Nathan Detroit, George Ioannides (*An Officer and a Gentleman, Annie, MAMMA MIA!*) as Sky Masterson, Timmika Ramsay (*Moulin Rouge!, Cinderella*) as Miss Adelaide, Celinde Schoenmaker (*Howard Goodall's Love Story, Les Misérables, The Phantom of the Opera*) as Sarah Brown, and Jonathan Andrew Hume (*Come From Away*) as Nicely-Nicely Johnson.

Niall Buggy plays Arvide Abernathy, Cornelius Clarke plays Lieutenant Brannigan, Cameron Johnson plays Big Jule, TJ Lloyd plays Rusty Charlie, Ryan Pidgen plays Benny Southstreet, Tori Scott plays General Cartwright, and Dashaun Vegas plays Harry the Horse.

The rest of the cast includes Iroy Abesamis, Katie Bradley, Tanisha-Mae Brown, Filippo Coffano, Eamonn Cox, Kamilla Fernandes, Alex Given, Lucie Horsfall, Dominic Lamb, Siân Nathaniel-James, Saffi Needham, Sophie Pourret, James Revell, Nathan Rigg, Pierce Rogan and Samuel Routley, Charlotte Scott (Co-Dance Captain), Hollie Jane Stephens, and Dale White (Dance Captain, Fight Captain).

*Guys & Dolls* has music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows, with choreography by Arlene Phillips with James Cousins, musical supervision and arrangements by Tom Brady, set by Bunny Christie, costumes by Bunny Christie and Deborah Andrews, lighting by Paule Constable, sound by Paul Arditti, orchestrations by Charlie Rosen, associate direction by James Cousins and Lily Dyble, fight direction by Kate Waters, and wigs, hair and make-up by Campbell Young Associates.

Book [*Guys & Dolls* tickets](https://www.londontheatre.co.uk/show/25504-guys-and-dolls-tickets) on London Theatre.

[![Book Tickets CTA - LT/NYTG](//images.ctfassets.net/6pezt69ih962/3qAtGOdQq9x3k1WcHlaJnw/90ece91bbe47ed07e142c2e43c7a7a3f/BookTickets-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=25504&content_product_id=25504&venue_id=76&product_type=show&qt=2)

*Photo credit: Owain Arthur and Timmika Ramsay in Guys & Dolls. (Photo by Manuel Harlan)*

'Guys & Dolls' extends performances through January 2025

Guys and Dolls Owain Arthur and Timmika Ramsay 1200 LT Photo Credit Manuel Harlan

Ages 5+. Under 12s are not allowed in the standing area. Under 16s in the standing or seated areas must be accompanied by an adult. Children aged 5-11 must watch from a seat with an adult. Children under 5 will not be admitted.

Guys & Dolls - LON [25504]

Genre: Musical

Guys & Dolls

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Production image of Guys & Dolls in London featuring Timmika Ramsay in the role of Adelaide.

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Production image of Guys & Dolls in London featuring ensemble cast and Jonathan Andrew Hume in the role of Nicely Nicely Johnson.

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Production image of Guys & Dolls in London featuring Owain Arthur in the role of Nathan Detriot and George Ioannides as Sky Masterson.

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Production image of Guys & Dolls in London featuring Celinde Schoenmaker in the role of Sarah Brown.

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Production image of Guys & Dolls in London featuring Owain Arthur as Nathan Detroit, Jonathan Andrew Hume as Nicely Nicely Johnson, and other cast member.

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Luck be a lady tonight! Be swept up with the thrills of Manhattan and Havana all in one night. *Guys and Dolls* tickets are available on London Theatre now.

__[This is for *Guys and Dolls* seated tickets. Book *Guys and Dolls* standing and stage tickets here.](https://www.londontheatre.co.uk/show/27637-guys-and-dolls-standing-and-stage-area)__

Don’t expect a traditional *Guys & Dolls* at the Bridge Theatre. Expect to be thrown into all the action: join all the characters as they walk the New York streets, sip a cocktail at the Cuban bars, and take a trip to the Salvation Army. The Bridge Theatre comes alive with this sensational retelling, with London Theatre hailing it “the jackpot of musical revivals.”

When booking *Guys & Dolls* tickets, you can choose to watch the action unfold in seated sections or in the pit.

Did you know the *Guys & Dolls* is based on short stories? Jo Swerling and Abe Burrows adapted Damon Runyon’s gangster tale “Blood Pressure”, and triumphant love story “The Idyll of Miss Sarah Brown”. Plus, there’s a jazzy score, with songs including: “Luck Be a Lady, “Sit Down, You’re Rocking the Boat,” “A Bushel and a Peck,” and “Adelaide’s Lament.” 

### What is *Guys & Dolls* about?

The *Guys and Dolls* musical follows Nathan Detroit, a Manhattan gambler who needs to find a new location for his crap shooting games, pronto. He’s helped by Sky Masterson, who takes a chance on Nathan, settling their deal on a bet: Nathan bets Sky that he can’t take a woman of his choosing on a date. But as they meet their “doll,” Sarah Brown, the odds of falling in love go down until it’s almost inevitable.

Tickets to *Guys and Dolls* are available now. Book your *Guys and Dolls* tickets on London Theatre today.

Guys & Dolls [SEATED] - LON - London Theatre

Sit down, you're rocking the boat! Be taken to the streets of Manhattan and the Havana bars all in one night. Nicholas Hytner directs an immersive, all-encompassing Guys & Dolls at the Bridge Theatre, a musical first for the venue. Get *Guys & Dolls* tickets on London Theatre today.

Broadway’s glossiest love story comes to life in spectacular fashion at *Guys & Dolls.* In this adaptation, the story will take place across the entire auditorium. Audiences can imagine they're walking the streets of Manhattan and sipping on a drink in the bars of Havana all in one night. 

London Theatre hailed that the revival "a jackpot... it manages to be both the most exhilarating version of Frank Loesser’s musical, and also the most nuanced." Hear all the classics like “A Bushel and a Peck,” “Luck be a Lady,” and Miss Adelaide’s song, “Adelaide’s Lament" with refreshing vigour.

## What to Watch For: 

- Did you know that *Guys & Dolls* is based on short stories? Damon Runyon’s works inspired the *Guys & Dolls* musical, notably two tales: “Blood Pressure” and “The Idyll of Miss Sarah Brown.” Sarah Brown is a Save-A-Soul Sergeant who unexpectedly falls in love with Sky Masterson. 
- If you’re seeing *Guys & Dolls* in London, then get ready to step into the musical. *Guys & Dolls* at the Bridge Theatre will be an immersive production. Choose to sit in the tiered seating, or book a standing ticket in the pit. Don’t worry, you won’t be rocking the boat.
- *Guys & Dolls* won a Pulitzer Prize for Drama. However, he didn't receive the prize: Abe Burrows's suspected Communist sympathies by the House of Un-American Activities Committee meant the decision was vetoed. Nobody won the Pulitzer Prize for Drama that year.

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I unlocked £25 Standing Rush tickets for Guys & Dolls on @TodayTixUK! https://www.todaytix.com/london/shows/25504?share=unlock

Guys & Dolls - LON - TodayTix [SEATED]

Luck be a show tonight! Book your tickets to see this vibrant tale of gamblers, showgirls, and unlikely romances in 1950s New York City. Frank Loesser's sweeping score continues to delight audiences over seventy years later.

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Buy tickets for Guys & Dolls at the Bridge Theatre in London. Find official theatre tickets to Musicals with Box Office.

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Would luck be a lady for Nicholas Hytner? His much-hyped, immersive production of *[Guys & Dolls](https://www.londontheatre.co.uk/show/25504-guys-and-dolls-tickets)* is set to run for six months at the [Bridge Theatre](https://www.londontheatre.co.uk/theatres/the-bridge-theatre) — a significant gamble. Well, I’m delighted to report that he’s hit the jackpot with this jubilant revival, which somehow manages to be both the most exhilarating version of Frank Loesser’s musical I’ve seen, and also the most nuanced. 

That combination is thanks to an ingenious staging, building on the Bridge’s previous immersive Shakespeare productions. The audience is in the round, partly seated. The standing audience, gathered in the centre, gets thrillingly close to the action, with hydraulic platforms shooting out of the floor all over the place and neon signs descending from the ceiling.

Bunny Christie’s design basically dances more than the cast. It creates boundless staging opportunities for Hytner: whether it’s a central platform for a big Hot Box number, or a large zigzagging path across the auditorium, or several separate mini-stages acting as different locations. It matches the energy of this heightened, Damon Runyon-styled New York City, and allows for lightning-fast scene changes (occasionally the set-up for the next scene cuts into the current one, as ushers nudge the promenading audience around, but that can hopefully be ironed out over the run). 

It creates a dynamic audience experience, far removed from the previous rather tired West End outing for *Guys & Dolls*. There’s pre-show fun (you can get a rakish hat or a pretzel from a street seller), and immersive elements during the show itself: you might be handed a Save-a-Soul Mission leaflet, or a streamer to wave, or have your drink nicked by a cheeky gambler. It all climaxes with a euphoric dance party, with cast members sticking around to boogie and take selfies with fans. It’s an inspired way to make theatre feel relevant and accessible.

But, as with the similarly thoughtful revivals of *Cabaret* and *Oklahoma!*, this isn’t just audience pandering. Thanks to the intimacy and nimbleness of this set-up, Hytner can also mine the show for psychological detail. 

*Guys & Dolls* is that rare show in which the book is the equal of the score, and this production so joyfully lands all of Abe Burrows and Jo Swerling’s zingers and larger-than-life, deliciously named characters, while also giving them dimensionality.

Crucially, it addresses the inherent misogyny. [Marisha Wallace](https://www.londontheatre.co.uk/stars-on-stage/marisha-wallace)’s Adelaide is no ditzy, marriage-obsessed dupe, who eventually guilts reluctant long-time fiancé Nathan into settling down with her. Instead, this is a couple desperately, carnally in love with each other, however, it’s Nathan who has the mental block. Daniel Mays (mostly known for his screen work, but making a phenomenal musical theatre debut) emphasises how Nathan relishes his status as the ultimate fixer, always staying one step ahead of the law. What happens if he stops running? 

The pair of them bring impressive comic chops but also an inherent sadness to their big rows, especially the wonderfully absurd sequence in which Adelaide admits she’s invented a brood of children for her concerned mother (Mays’s pique that Nathan is just an assistant manager in this fiction is priceless). 

Duet “Sue Me” — often a throwaway gag — is a masterclass in acting through song, supported by the blocking: they grow more physically distanced with each bitter exchange, while still achingly emotionally attached.

Wallace also avoids the easy humorous route with “Adelaide’s Lament,” dropping the exaggerated pronunciations in favour of framing the number as a gentle confession, aimed at the audience right beside her — one friend speaking to another. But she’s just as capable of amping up her performance in the steamy Hot Box stripteases (no coyness here), in which she owns her power and sexuality. 

In contrast to these warring veterans of love are the newly met, opposites-attract pair: Celinde Schoenmaker’s robustly dedicated missionary Sarah and Andrew Richardson’s charmingly insincere gambler Sky. Again, this is framed as an equal journey, not just as a woman who needs to lighten up. 

If anything, the exquisitely clarion-voiced Schoenmaker is the driving force: in “If I Were a Bell” she seems as drunk on life as on rum, tearing open Sky’s shirt and, following some Gene Kelly lamppost swinging, falling into his arms and swimming through the air. When they meet in song, their harmonies intertwine like a warm embrace. 

The boyish Richardson, a smouldering, Clive Owen-esque presence, actually feels like the lost one of the pair. This mainly works nicely, although both performance and vocals need more projection. There’s also one bewildering misstep: the introduction of a stereotypical gay club in Havana. It gets around the tired trope of a feisty Latina starting a catfight, and a bisexual Sky is a fascinating idea, but it’s never actually developed.

I also would have liked more explosive choreography here (the Cuban sequence begins with dancers scattered in the crowd — less impactful at a distance), but Arlene Phillips and James Cousins’s grounded, organic movement is otherwise invigorating, and the visible band gives us a glorious version of Loesser’s peerless score. Plus there are numerous scene-stealing supporting turns: Cedric Neal’s Nicely-Nicely, lending gospel fervour to “Sit Down, You’re Rocking the Boat”; Mark Oxtoby’s fast-talking Benny; the perfect sight gag of Cameron Johnson’s giant Big Jule.

Most joyfully, the happy ending feels earned. Wallace and Schoenmaker’s “Marry the Man Today” isn’t an expression of dubious making-do, but a dawning realisation — by two shrewd women knocking back shots together; fabulous — that there’s nothing certain about life or love: “You’ve simply gotta gamble”. And when it pays off, as Hytner proves, the rewards are boundless. 

*Guys & Dolls at the Bridge Theatre through 2 September. Book Guys & Dolls tickets on London Theatre.*

[![Book Tickets CTA - LT/NYTG](//images.ctfassets.net/6pezt69ih962/3qAtGOdQq9x3k1WcHlaJnw/90ece91bbe47ed07e142c2e43c7a7a3f/BookTickets-250.png)](https://ticket.londontheatre.co.uk/booking/calendar?product_id=25504&content_product_id=25504&venue_id=76)

*Photo credit: The cast of Guys & Dolls (Photo by Manuel Harlan)*

'Guys & Dolls' review – Nicholas Hytner hits the jackpot with this exhilarating immersive revival

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Read our five-star review of *Guys & Dolls* starring Marisha Wallace at the Bridge Theatre, currently playing through 2 September. Get *Guys & Dolls* tickets on London Theatre.

The Bridge Theatre is a state-of-the-art theatre venue located in London's vibrant Southwark district, near the iconic Tower Bridge. It was opened in 2017, and has quickly established itself as a hub for innovative and engaging productions, attracting high-profile directors, writers and actors from around the world. The venue boasts a contemporary design with sleek interiors and comfortable seating. It offers a rotating repertory program, featuring a variety of performances from new productions to classic plays and musicals. The Bridge Theatre is especially renowned for its immersive staging, which allows for a unique, close-up theatre experience. High-tech acoustics and lighting further contribute to the world-class performances that audiences have come to expect at this venue.\n\n**Getting to the Bridge Theatre**\nIt's easily accessible by public transport. The nearest tube station is London Bridge, which is just a short walk away. Numerous bus routes also stop nearby. For those driving, there's a Q-Park car park in Butlers Wharf, which offers discounted parking rates for theatre goers when booked in advance. The area is well served by cycle lanes, and Santander Cycles docking stations can be found nearby. The theatre encourages green travel and recommends walking or cycling where possible.

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Nicholas Hytner and Nick Starr spearhead the Bridge Theatre. Having worked together at the [National Theatre](https://www.londontheatre.co.uk/theatres/national-theatre) for over a decade as artistic and executive directors, Hytner and Starr formed the London Theatre Company as part of their efforts to open the largest Off-West End commercial theatre. The 900-seater auditorium is very adaptable and allows shows to be presented in end-on, thrust and promenade formats. 

Production aside, the theatre was praised for its abundance of ladies toilets and its on-site kitchen which, among other things, provides treats freshly baked on site during the interval. 

In 2017, the theatre's inaugural season included a new Richard Bean play *Young Marx*, starring [Rory Kinnear](https://www.londontheatre.co.uk/actor-profile/rory-kinnear) and Oliver Chris, *Julius Caesar* starring Ben [Whishaw](https://www.londontheatre.co.uk/actor-profile/ben-whishaw) and David Calder, and a new play by Nina Raine about the life of JS Bach starring [Simon Russell Beale](https://www.londontheatre.co.uk/actor-profile/simon-russell-beale).

Notable plays at the Bridge Theatre include *The Lion, the Witch and the Wardrobe,* as well as *My Name is Lucy Barton* and *Straight Line Crazy* — the latter two both transferring to New York.

Bridge Theatre - London Theatre

Nicholas Hytner and Nick Starr founded the London Theatre Company, spearheading the adaptable 900-seater Bridge Theatre, known for its facilities and notable productions.

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The Bridge Theatre is a modern theatre venue in London, known for its immersive productions, and is accessible by numerous transport options.

Nicholas Hytner’s immersive production recently won the Olivier Award for Best Theatre Choreographer for Arlene Phillips's work with James Cousins.


'Guys & Dolls' extends performances through January 2025

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